The Body Beautiful: Five Volumes New York 1930s
The contribution made by Americans to the bibliography on the body, its form and figure in photography, is almost non-existent until the 1930s when a number of small "art photography" publishers begin to explore the genre. Without precedent in the US, the Dodge Publishing Company in New York City, set an extremely high standard in 1935 with the first of its five volume series, THE BODY BEAUTIFUL. Above, the cover of volume one.
In retrospect, only a few American books on the subject of the nude would ever come close to the quality of this five volume set published from 1935 to 1939. These spiral bound collections of nudes were beautifully printed in fine gravure and rivaling the quality of production, typography and page design as well as compositional experimentation as some of the noteworthy European publications of this period. Daniel Masclet’s NUS La Beaute de la Femme and the PHOTOGRAPHIE Annuals published by Arts et Metiers Graphique in Paris may have inspired the editor of the series, Heywood Campbell, and his designers.
Solarized nude, homage to Man Ray?
Each volume with approx. 80 photographs. Contributions, many in an experimental or avant-garde style, including the photographs of William Rittase, Lejaren a Hiller, Frank Frapie, Ruth Bernhard, Alexander Allard, Remie Lohse, Forman Hanna, Pierre Boucher, Alexander Paal, Heinz Perckhammer, John Everard, Aaron Siskind, Lusha Nelson, Arnold Genthe, Bertram Park, Hajek-Halke and others.
The overall size 8.75" x 11.75"; each volume published in a box with die-cut top revealing a portion of the cover photograph. These exceptional books are rarely seen, especially as a complete set and in such fine condition as those shown in this post
Double exposure/composite image by Lejaren a Hiller.
Marvelous full-color photograph gracing the cover of volume three.
Literally tipping the photograph on edge, creating a dynamic of blacks on white in contrast to the smaller image "forced" into the upper right corner with bleeds on two sides. Note the effectiveness of the spiral binding as part of the layout.
One of the few male nudes in the series.
Cover volume four. Wonderful camera/eye design: signed Hawkins.
Simple, expansive image used as the title page for volume four with the typography centered over the nude figure. Letter and word spacing fits nicely with the volume of the photograph.
Implying the motion of a dive. The black and white spaces and the sharp angles of the photo on the right create a brilliant spread. Once again the spiral binding is used as a design device.
Photograph by Heinz Hajek-Halke. Superb montage of the same image: one reversed and placed over the other creating a "black" and a "white" image.
Another exceptional cover design of montaged images by Hawkins.
Nude portrait, beautifully echoing the cover photograph of Sasha Stone's classic
Surreal photograph by Pierre Boucher, bleeding all four edges.
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