Monday, January 5, 2015

BIG & BOUNCY Magazine ~ 1960s Busty Babes



Here's an illusive digest sized magazine from the early 1960s, Big & Bouncy, devoted to busty babes published by World Wide News Corp. Short lived, maybe two issues published, filled with "Big, Bold, Bare & Buxom Gals 42+ !"

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Lovely U.K. beauty Ann Austin









Terri Higgins

vasta@earthlink.net

Artist PETER DRIBEN ~ American Pin-Ups Part Two



Robert Harrison's publications started in 1939 picking up where the great American pulps (Stolen Sweets, Spicy Stories, Gay Paree, etc.) left off with their seductive pin-up covers, many created by the legendary Enoch Boles. Harrison started with Beauty Parade (the first cover featuring a "cave woman" by Earl Moran) and followed suit with Wink, Titter, Eyeful, Flirt and finally Whisper which lead to his biggest commercial success, Confidential magazine, the "hush, hush" inspiration for the film noir Hollywood story, L.A.Confidential.


The magazines were filled with leggy models, glamor girls, strippers and starlettes posed in lingerie, stockings, garters and high heels, bathing suits and strip-tease costumes. The emphasis was on their legs, garters, stockings and foot wear; there was NO nudity. The covers were primarily pin-up illustrations painted "three-up" (three times the size of the actual magazine) with Peter Driben being the major contributor of cover artwork. Over the years I have bought and sold a few original Driben pin-ups. His ability to capture the charm, figure  and seductive essence of a woman with a brush and oil paint is evident in the cover artwork he created for Harrison's publications.


Here, from my archives, is Part Two of an homage to one of the great American pin-up artists of the 1940s and '50s. Featuring cover artwork by Driben as well as samples of the photographic layouts.

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 John Willie illustrations for the DIARY OF A FRENCH MAID serial








Betty Page



Friday, January 2, 2015

Paris MOULIN ROUGE Programs 1920s ~ 1930s



Images from souvenir and commemorative programs for the legendary Parisian music-hall, the Moulin Rouge. In it's earliest days, an important destination for Parisian denizens of the night, a mecca for artists, celebrities and for the ladies and gentleman who catered to them, including prostitutes. Today, regarded exclusively as a tourist trap, where no self-respecting Parisian would want to be seen. Nonetheless, the immediately identifiable structure and it's signage remain imbedded in the iconography of the city. Even today in the overwrought era of "digital" outdoor advertising (think Times Square) the restoration of the building and signage presents an impressive display of orange and red illumination. 

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Autochrome photograph circa 1906